|
This is an expanding list of materials that provide disciussions
on aspects of contemporary culture, curatorship and critical
practice.
Appadurai, Arjun (1996) Modernity at Large: Cultural Dimensions
of Globalization. Minneapolis, University of Minnesota Press
Bauer, ute Meta (2001) Education, Information, Entertainment:
Current Approaches on Higher Artistic Education, Vienna: Institut
fur Gegenwartskunst Akademie der bildenden Kunste Wien.
Bennett, T. (1995) The Birth of the Museum: History, Theory,
Politics. London & New York, Routledge.
Bourdieu, Pierre (1986/2002) Distinction: A Social Critique
of the Judgement of Taste, London: Routledge.
Bourriaud, Nicolas. (2002) Relational Aesthetics. Dijon,
Presses du réel.
Bourriaud, Nicholas (2002) Postproduction. Paris, Art Data.
Brottman, Mikita (2005) High Theory / Low Culture. New York,
Palgrave Macmillan.
Certeau, Michel de. (1984) The Practice of Everyday Life.
Berkeley / London, University of California Press.
Coles, Alex ed. (2000) Site-specificity: The Ethnographic
Turn. London, Black Dog Publishing.
Cronin, Anthony (1988) Art for the People? Dublin: Raven
Arts Press.
Doherty, Claire, ed. (2004) Contemporary Art : From Studio
to Situation. London, Black Dog Publishing
Duncan, Carol (1995) Civilizing Rituals: Inside Public Art
Museums, London: Routledge.
Duncombe, Stephen ed. (2002) The Cultural Resistance Reader.
London, Verso.
Duncombe, Stephen (1997) Notes from Underground: Zines and
the Politics of Alternative Culture. London, Verso.
Farquhason, Alex (2003) “ I curate, you curate”
Art Monthly Vol.269, September, pp. 7-10.
Gillick, Liam and Maria Lind (eds.) (2005) Curating with
Light Luggage, Kunstverein Munchen/Revolver.
Greenberg, Reese et al (eds.) (1996) Thinking About Exhibitions,
London: Routledge.
Hannula, Mika (1998) Stopping the Process: Contemporary views
on art and exhibitions, Helsinki: Nifka
Harding, Anna [Ed.] Curating The Contemporary Art Museum
and Beyond, Art and Design Profile No.52, London: Academy
Group Ltd.
Hickey, Dave (1997) Air Guitar Essays on Art and Democracy.
Los Angeles, Art Issues Press.
Hill, Susan (200/2001) The Producers: Contemporary Curators
in Conversation. [1-4] Gateshead : BALTIC.
Kester, Grant H. (2004) Conversation Pieces: Community and
Communication in Modern Art. Berkeley, California / London,
University of California Press.
Kester, Grant (1998) “Rhetorical Questions: The Alternative
Arts Sector and the Imaginary Public”, in Kester [Ed.]
Art, Activism, and Oppositionality: Essays From AfterImage,
Durham& London: Duke University Press. Pp.103-135.
Kwon, Miwon. (2002) One Place After Another: Site-specific
Art and Locational Identity. Cambridge, Mass. and London.
Lind, Maria and Raimund Minichbauer 9eds.) (2005) European
Cultural Policies 2015: A report with Scenarios on the Future
of Public Funding for contemporary Art in Europe, IASPIS &
EIPCP
Macdonald, Sharon (1997) The Politics of Display: Museums,
Science, Culture, London: Routledge.
Manifesta (2003 - ) Manifesta Journal: journal of contemporary
curating, Amsterdam: International foundation Manifesta.
Miles, Malcolm (1997) Art, Space and the City: Public art
and Urban Futures. London / New York, Routledge.
Möntmann, Nina [Ed] (2006) Art and its Institutions:
Current conflicts, Critique and Collaborations, London: Black
Dog Publishing/ NIFCA.
Müller, Vanessa Joan and Schafahusen, Nicholas [Eds.]
(2006) On Construction Perspectives of Institutional Practice,
Cologne: Verlag der Buchhandlung Walther König.
O'Doherty, Brian (1986) Inside The White Cube: The Ideology
of the Gallery Space, San Francisco: The Lapis Press.
O’Neill, Paul (2004)” Curating U-Topics”,
Art Monthly, Vol. 272, Jan., pp.7-10.
O’Neill, Paul [Ed.] (2007) Curating Subjects, London:
Open Editions.
Papadakis, Andres C. [Ed.] (1991) New Museology, Art and
Design Profile, London: Academy Group Ltd.
Rosler, Martha (2004) Decoys and Disruptions: Selected Writings,
1975-2001. Cambridge, Mass, MIT Press
Sander, Katya and Shekh, Simon [Eds.] (2001) We Are All Normal
(and we want our freedom), London: Black Dog Publishing Limited.
Schubert, Karsten (2002) The Curator's Egg: The evolution
of the museum concept from the French Revolution to the present
day, London: One Off Books / Christies.
Simpson, Moira G., Making Representations: Museums in the
Post-Colonial Era, London: Routledge.
Staniszewski, Mary (1998) The Power of Display: A History
of Exhibition Installations at the Museum of Modern Art, Cambridge,
Massachusetts: The MIT Press.
Tannert, Christoph and Ute Tischler (eds.) (2004) Men In
Black: Handbook of Curatorial practice, Frankfurt am Main:
Revolver.
Van Laar, Timothy & Diepeveeen, Leonard (1998) Active
Sights: Art as Social Intervention, USA: Mayfield.
Verwoert, Jan (2004) “ Confessions of the global urbanist”,
Afterall, Vol. 9, pp.47-56.
Wade, Gavin, ed. (2000) Curating in the 21st Century. Walsall
: New Art Gallery.
Williams, R. (1983) Keywords: a Vocabulary of Culture and
Society. London : Fontana Paperbacks
Wu, Chin-tao (2002) Privatising Culture: Corporate Art Intervention
since the 1980s, London: Verso.
|
